Category Archives: Compositions

Tallinn

Tallinn

Contact microphones attached to a hotel window

 

Tallinn, Estonia, 2013. Early in the morning listening to the traffic below the hotel window. The sound of the quotidian sounding exotic in this unfamiliar terrain.

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The act of recording that morning has deeply imprinted that simple moment into my memory. I remember a light layer of snow in the gutters slowly melting under a weak winter’s sun, the sound of traffic drifting according to the changes in the traffic lights.

 

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It was the only recording I made while in Tallinn. I preferred to walk the streets without the feeling of urgency to capture sounds.

 

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Years later, on the other side of the world, I listened again to that recording. With the aid of filters I pushed the recording beyond its original form. The traffic droned and washed past in previously unrealised pitches and tones. Somehow this distortion mirrored the evolution of memory, it established a new truth.

Tone Variation i

tone variation

 

Filters, oscillators, each eliciting the hidden potential within one sustained note. Many an hour has been spent listening to the variations within synthesised tones and field recordings alike. Sitting in the darkness with headphones on it is easy to get lost between layers of sound. A gentle and gradual process of exploration where time is lost, the mind moving beyond the structure of the clock, instead we are transported by sound itself.

Road Trip: Snowy Mountains

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A road trip into the Snowy Mountains region. Driving south from Canberra we entered foggy valleys with yellow grassland. Leaving the city behind we were ready for a new landscape, something to jolt our senses into a renewed state.

And then it began. Road-kill to the left and right. Wombats, kangaroos, emus, wallabies. Not a kilometre without bloated corpses defrosting in the early morning wintery sun.

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At first we counted the number of dead wombats we passed. Not native to our home region we had been excited at the prospect of seeing them in the wild. As the number increased we told each other they were sleeping by the side of the road but this feeble joke grew old pretty quickly.

We soon entered a region where even the vegetation was dying. Huge old Monaro eucalyptus trees standing like skeletons, their fate not changing from one field to the next.

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Researching it later we had unknowingly passed through a 2000 square kilometre area regarded as a tree graveyard. For over two decades the eucalyptus trees have been dying leaving behind an eerie landscape.

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We finally arrived at the Snowy Mountains. The mountainsides were characterised by lines of thin white tree trucks. They were the remnants of forest that had burnt to the ground in bushfires in 2003. Bleak, devastated, silent.

Walking through the countryside it was hard to feel uplifted. Signs of loss were everywhere. Many reports suggested the Snow Gums were not growing back.

We stayed in the area for 3 days. On our last night we watched the breaking news of a mass shooting in Orlando. We fell into silence.

Driving back north we again passed the corpses of the local wildlife. They hadn’t moved since days before, still sleeping in the midday sun.

 

 

Night Night: Ludwig Koch project

koch2Ludwig Koch. Image supplied by the British Library.

 

In 2014 Cheryl Tipp from the British Library invited me to create a sound piece that would pay homage to the German wildlife recordist Ludwig Koch. Tipp’s project outline provided a brief biography of Koch:

Ludwig Koch (1881-1974) is one of the greatest figures in the history of wildlife sound recording. He made his first recording in 1889 at the tender age of 8 and went on to pioneertechniques for recording wild animals in the field. He championed projects such as the sound book, which combined text with audio recordings and published a range of titles from soundscapes to identification guides, first in his native Germany and then in Great Britain. His work at the BBCallowed him to bring the sounds of nature to a whole new audience through the medium of radio and he soon became a household name. In 1960 Ludwig Koch was recognised for his services to broadcasting and natural history and awarded a MBE by Queen Elizabeth II.

Cheryl Tipp and David Velez invited artists working with sound to create pieces based on a specific theme. Each theme was to be informed by material held in the archives of the British Museum. I was given the theme of “Night night”. Two photos of Koch recording at night were provided to me.

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The photos suggested a sense of wonder, a new age of recording and listening to the world had begun. Looking at the men in hats and coats I also felt a slight sense of menace, perhaps this merely reflected my consumption of 21st century popular culture rather than what is really present in the photos.

The sound piece uses my own recordings taken at night in the surrounding forests. It also mixes a few of Koch’s recordings, those being a curlew, wolves, and incidental crackles and pops. Unfortunately the project never got off the ground. So here, presented in two parts is my own contribution, Night Night.

 

 

Dreaming, you glide

 

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Light reflecting on a wall in Adelaide

 

Posts on soundslikenoise will be a little sporadic while I complete compositions for a number of upcoming exhibitions.

Dreaming, you glide is a work in progress, to be listened to in an exhibition featuring sculpture and sound.