Listening to Martin King’s “Hoodwink, Four Quarters”

Hoodwink, Four Quarters by Martin King

The hooded hawk in Martin King’s Hoodwink, Four Quarters provides a disembodied narrative loaded with evocative symbolism. In King’s print the hawk appears contradictory. It is at once powerful yet vulnerable, wild yet restrained. The symbolism of the hooded hawk dates back to ancient Egypt. At the time it represented hope for those who lived in the shadows.

When interpreting the work I felt the sound needed to acknowledge the Arabic heritage of the hawk. I also wanted to maintain the use of space that is evident in King’s print.  Thus Hoodwink, Four Quarters uses manipulated samples of Middle Eastern instruments. Space falls between the notes, providing room for the hawk to soar upwards.

Hoodwink, Four Quarters is  1 of 18 prints that I interpreted through sound for the audio-visual exhibition Habitat. The entire exhibition can be viewed at the West Gallery Thebarton website.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s